Main Menu (Mobile)- Block
- Overview
-
Support Teams
- Overview
- Anatomy and Histology
- Cryo-Electron Microscopy
- Electron Microscopy
- Flow Cytometry
- Gene Targeting and Transgenics
- Immortalized Cell Line Culture
- Integrative Imaging
- Invertebrate Shared Resource
- Janelia Experimental Technology
- Mass Spectrometry
- Media Prep
- Molecular Genomics
- Primary & iPS Cell Culture
- Project Pipeline Support
- Project Technical Resources
- Quantitative Genomics
- Scientific Computing Software
- Scientific Computing Systems
- Viral Tools
- Vivarium
- Open Science
- You + Janelia
- About Us
Labs:
Project Teams:
Main Menu - Block
Labs:
Project Teams:
- Overview
- Anatomy and Histology
- Cryo-Electron Microscopy
- Electron Microscopy
- Flow Cytometry
- Gene Targeting and Transgenics
- Immortalized Cell Line Culture
- Integrative Imaging
- Invertebrate Shared Resource
- Janelia Experimental Technology
- Mass Spectrometry
- Media Prep
- Molecular Genomics
- Primary & iPS Cell Culture
- Project Pipeline Support
- Project Technical Resources
- Quantitative Genomics
- Scientific Computing Software
- Scientific Computing Systems
- Viral Tools
- Vivarium
2011
Shao L, Kner P, E Rego H, Gustafsson MGL.
2011. Super-resolution 3D microscopy of live whole cells using structured illumination.. Nature Methods. 8:1044-6.
2012
E Rego H, Shao L, Macklin JJ, Winoto L, Johansson GA, Kamps-Hughes N, Davidson MW, Gustafsson MGL.
2012. Nonlinear structured-illumination microscopy with a photoswitchable protein reveals cellular structures at 50-nm resolution.. Proceedings of the National Academy of Sciences of the United States of America. 109:E135-43.
Fiolka R, Shao L, E Rego H, Davidson MW, Gustafsson MGL.
2012. Time-lapse two-color 3D imaging of live cells with doubled resolution using structured illumination.. Proceedings of the National Academy of Sciences of the United States of America. 109(14):5311-5.
2014
Shao L, E Rego H.
2014. Structured illumination microscopy (Chapter 15.). Fluorescence Microscopy: Super-resolution and other novel techniques. :213–225.